Monday, October 21, 2013

20th Century Fox TV Takes Norwegian Thriller for Chernin Remake



Jemal Countess/Getty Images


Peter Chernin



COLOGNE, Germany – 20th Century Fox Television has picked up adaptation rights for Norwegian thriller Mammon from indie distributor DRG.



Peter Chernin and Katherine Pope will executive produce the U.S. version of the series via Chernin Entertainment. UTA brokered the deal.


PHOTOS: 81 of Fall TV's Biggest Stars: THR's Exclusive Portraits


The original series, from Norwegian public broadcaster NRK, focuses on Peter, an investigative journalist working for the country's top newspaper. He uncovers evidence of massive financial fraud which points to his own brother. When he breaks the story, his brother commits suicide and Peter begins a search for the truth, which leads him to the highest levels of Norwegian society.


The first, six-episode season of Mammon will debut on NRK in January, but the series has already been renewed for a second season.  This is the first Norwegian series to be picked up for a U.S. remake, though mobster-out-of-water dramedy Lilyhammer, starring Steven Van Zandt, another NRK production, goes out on Netflix.


Mammon was created by sibling writer/producer team Gjermund and Vegard Steinberg Eriksen. Actress Cecilie A. Mosli (Elling) will direct the Norwegian series.


Source: http://feedproxy.google.com/~r/thr/television/~3/YC0Kq78quw0/story01.htm
Category: randall cobb   new england patriots   Brad Culpepper   9news   Theresa Vail  

Sunday, October 20, 2013

Killer 'clowns' murder Mexican ex-drug capo


La Paz (Mexico) (AFP) - Gunmen disguised as clowns at a children's party shot dead the eldest brother of Mexico's once powerful Arellano Felix drug cartel family, authorities said Saturday.

Francisco Rafael Arellano Felix, 63, was gunned down at a family event Friday in Cabo San Lucas, a tourist resort in the Baja California peninsula, state special investigations prosecutor Isai Arias told reporters.

"He was hit by two bullets, one in the thorax and one in the head," Arias said.

Relatives identified the former Tijuana drug cartel lieutenant's body, Arias said, adding that there have been no arrests in the case.

The gunmen were dressed as clowns when they shot Arellano Felix at the party in the luxurious Casa Oceano tourist residence, agents close to the case told AFP.

The Arellano Felix brothers once dominated drug trafficking between Mexico and California through their brutal Tijuana cartel, inspiring characters in the Steven Soderbergh movie "Traffic."

Most of the Arellano Felix brothers have been either killed or arrested, leaving the cartel in tatters. Infighting also weakened the group.

Francisco Rafael's murder is likely "due to unpaid old debts, and old retributions" from the times that the Arellanos were at the height of their power between 1990 and 2000, said Raul Benitez a drug trade expert at the National Autonomous University of Mexico.

Nicknamed "El Menso" (The Dummy), Francisco Rafael was arrested in 1980 in San Diego, California, for allegedly selling drugs, but slipped back to Mexico when he was released on bail.

In 1993 he was arrested in Mexico and jailed on drug charges. In 2006 he was extradited to the United States and was sentenced to six years in jail after confessing to selling drugs to an undercover agent.

In 2008 he was released, earning time off his sentence for good behavior, according to his attorney at the time, and repatriated to Mexico.

Benitez said that it was unlikely the former drug lord was back in the trade again.

The Tijuana Cartel "has been completely dismantled, with all of its leaders in prison either in the United States or in Mexico," Benitez said.

One of the brothers, Ramon, was killed in a police shootout in 2002. Three other brothers are in US prisons, including Eduardo, who was sentenced to 15 years by a California court in August for money laundering.

Rivals, especially Joaquin "Chapo" Guzman's Sinaloa Federation which also began around 1990, have since eclipsed the Tijuana group and taken over most of its territory.

The Sinaloa group, based in the western state of Sinaloa, is Mexico's most powerful drug cartel, rivaled only by the paramilitary Zetas, who are most active in northeastern Mexico.

Security experts however believe the remnants of the cartel survive in the key border city of Tijuana.

They believe the rump cartel is now run by the brothers' sister Enedina and her son Fernando, known as "The Engineer."

Violence linked to drug trafficking and organized crime has left more than 70,000 dead in Mexico over the past seven years.

Source: http://news.yahoo.com/mexican-ex-drug-lord-shot-dead-100117008.html
Tags: Cressida Bonas   arcade fire  

Kanye West Brings Out Jesus Look-Alike on 'Yeezus' Tour



This article first appeared on Billboard.com.



Kanye West kicked off his 'Yeezus' tour in Seattle, WA on Saturday and as always, left people talking.


The show, which reportedly started two hours late due to an equipment truck being stolen, lasted two hours. Ye' performed material from his six-album discography, including live debuts of "Yeezus" cuts ("Hold My Liquor," "I'm In It" and "Guilt Trip"), according to Consequence of Sound.


But what has the Internet stunned is the stage production (which included a giant mountain top), merchandise (t-shirts with skulls and confederate flags printed on them), and Kanye West's guest, a Jesus Christ look-alike.


The actor dressed as Jesus walked on stage before 'Ye performed his College Dropout hit, "Jesus Walks." "White Jesus, is that you?… Oh, shit!," he said jokingly, according to MTV News. Ye', alongside a group of women back-up dancers dressed in white, later bowed to the Jesus look-alike as he stood on the mountain top.


Before Kanye hit the stage, Kendrick Lamar performed a nine-song set which included songs off his "good kid, m.a.a.d. city" album.


Check out footage from the 'Yeezus' tour courtesy of DONDA Creative Director, Virgil Abloh:



Source: http://feedproxy.google.com/~r/thr/music/~3/FBhypFGiX04/story01.htm
Related Topics: dancing with the stars   Steve Ballmer  

Minibus blast kills 21 in southern Syria: activists


BEIRUT (Reuters) - Twenty-one people, including four children and six women, were killed when a minibus hit a mine and exploded in the southern Syrian town of Noa on Wednesday, the Syrian Observatory for Human Rights monitoring group said.


Opposition activists told the Observatory the minibus drove over a mine planted by forces loyal to President Bashar al-Assad. There was no immediate comment from the government.


The explosion was reported in rebel-held territory in Deraa province but there are also army troops in the nearby base of Tel al-Jumaa, which is besieged.


Assad's forces are battling an uprising that grew out of protests against his family's four-decade grip on the country.


Violence has continued in recent days despite pleas from Arab and Muslim organizations for a ceasefire to mark the Muslim festival of Eid al Adha.


The British-based Observatory, which is opposed to Assad, reported clashes in most provinces on Wednesday and said war planes had been deployed to the eastern desert city of Deir al-Zor.


The group said at least 27 government soldiers had been killed during intense clashes in Deir al-Zor over the past two days although rebels gave a figure more than double that.


Pro- and anti-government militias have fragmented the country into fiefdoms, with hardline Islamist rebels fighting Kurds and other opposition groups.


The Observatory reported that 29 jihadist fighters, some from the al Qaeda-linked Islamic State of Iraq and the Levant, and 12 Kurdish militants were killed during clashes on Tuesday in the northeast province of Hasaka.


(Reporting by Oliver Holmes; Editing by Angus MacSwan)



Source: http://news.yahoo.com/minibus-blast-kills-21-southern-syria-activists-073419110.html
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Syria's civil war plays out on social media

FILE - This Monday, July 15, 2013, file image taken from leaked video obtained by Ugarit News, which has been authenticated based on its contents and other AP reporting, purports to show a fireball from an explosion at a weapons depot set off by rocket attacks that struck government-held districts in the central Syrian city of Homs. Never in history has a war been covered in the way that Syria’s civil war has: A constant stream of hundreds of thousands of videos instantaneously bringing all the viciousness, brutality and gore instantaneously and vividly to millions of viewers across the globe via YouTube and social media. The raw footage from Syria's battlefields comes in a perpetual stream _ a vicious civil war brought instantaneously to millions of viewers across the globe via YouTube and social media.(AP Photo/Ugarit News via AP video)







FILE - This Monday, July 15, 2013, file image taken from leaked video obtained by Ugarit News, which has been authenticated based on its contents and other AP reporting, purports to show a fireball from an explosion at a weapons depot set off by rocket attacks that struck government-held districts in the central Syrian city of Homs. Never in history has a war been covered in the way that Syria’s civil war has: A constant stream of hundreds of thousands of videos instantaneously bringing all the viciousness, brutality and gore instantaneously and vividly to millions of viewers across the globe via YouTube and social media. The raw footage from Syria's battlefields comes in a perpetual stream _ a vicious civil war brought instantaneously to millions of viewers across the globe via YouTube and social media.(AP Photo/Ugarit News via AP video)







FILE - This file image made from video and released by Shaam News Network and accessed Thursday, Aug. 23, 2012, which is consistent with other AP reporting, purports to show the funeral of children in Daraya, near Damascus, Syria. Never in history has a war been covered in the way that Syria’s civil war has: A constant stream of hundreds of thousands of videos instantaneously bringing all the viciousness, brutality and gore instantaneously and vividly to millions of viewers across the globe via YouTube and social media. The raw footage from Syria's battlefields comes in a perpetual stream _ a vicious civil war brought instantaneously to millions of viewers across the globe via YouTube and social media. (AP Photo/Shaam News Network SNN via AP video, File)







FILE - In this Sunday, May 19, 2013 file image from amateur video obtained by a group which calls itself Ugarit News, a rebel runs from an explosion, in Qusair, Syria. The video is consistent with independent AP reporting. Never in history has a war been covered in the way that Syria’s civil war has: A constant stream of hundreds of thousands of videos instantaneously bringing all the viciousness, brutality and gore instantaneously and vividly to millions of viewers across the globe via YouTube and social media. The raw footage from Syria's battlefields comes in a perpetual stream _ a vicious civil war brought instantaneously to millions of viewers across the globe via YouTube and social media.(AP Photo)







FILE - This Wednesday, May 29, 2013 file image made from video posted by Shaam News Network, which is consistent with other AP reporting, shows a Free Syrian Army fighter firing a rocket propelled grenade in Aleppo, Syria, targeting a Syrian regime stronghold. Never in history has a war been covered in the way that Syria’s civil war has: A constant stream of hundreds of thousands of videos instantaneously bringing all the viciousness, brutality and gore instantaneously and vividly to millions of viewers across the globe via YouTube and social media. The raw footage from Syria's battlefields comes in a perpetual stream _ a vicious civil war brought instantaneously to millions of viewers across the globe via YouTube and social media.(AP Photo/Shaam News Network via AP video)







(AP) — Amid all the bloodshed, confusion and deadlock of Syria's civil war, one fact is emerging after 2½ years — no conflict ever has been covered this way.

Amateur videographers — anyone with a smartphone, Internet access and an eagerness to get a message out to the world — have driven the world's outlook on the war through YouTube, Twitter and other social media.

The tens of thousands of videos have at times raised outrage over the crackdown by the regime of President Bashar Assad and also have sparked concern over alleged atrocities attributed to both sides.

The videos have also made more difficult the task of navigating between truth and propaganda — with all sides using them to promote their cause. Assad opponents post the majority of videos, and nearly every rebel-held area or brigade has a media office that produces and disseminates them. To a lesser degree, regime supporters produce some videos — but they also pick apart opposition videos, trying to show they are fake.

In the Vietnam War, the 1991 Gulf War and the second Gulf War in 2003, foreign media directly covered the conflicts, often with reporters embedded with or accompanying the American military.

Media organizations, including The Associated Press, have sent teams to Syria to cover events directly, often at great risk. But they are for temporary stints and are limited both by government regulations and by war zone dangers, ranging from random bombardment to kidnappings. At least 28 journalists were killed in Syria in 2012.

That has forced international media to cover the war to a large extent from the outside, and the flow of videos is one element taken into account in the reporting.

The videos have undeniably ensured that details of a bloody conflict that has killed more than 100,000 people and ravaged the country do not go unnoticed, providing a look at the horrors of war: villagers digging with through destroyed buildings their bare hands for survivors; massacre victims in pools of blood; children with grave wounds from heavy bombardment.

"In the past, if the media wasn't there to cover an event, it was like it never happened," said Yuval Dror, head of the digital communication program at Israel's College of Management Academic Studies.

The phenomenon of amateurs chronicling the war themselves "is changing the rules of war," he said. "There are no restrictions. It's cheap, it's easy and you don't need permission from anyone to do it."

Magda Abu-Fadil, veteran journalist and director of the Beirut-based Media Unlimited, said that while some professionals in the field have covered the war, it has mostly been "citizen journalists, activists, warriors and anybody with a mobile device, Internet connection or functioning telephone line."

"We're being bombarded with messages from every direction at breakneck speed, the likes of which we've never seen before," she said.

The world's response to the use of chemical weapons in Syria was driven in part by opposition activists documenting a suspected sarin attack outside Damascus on Aug. 21, with images of choking, convulsing victims, as well as the bodies of victims, including children. The Syrian government denied it was behind the attack, blaming it on extremists among the rebels.

The U.S. and its allies used those videos to build a case against Damascus, at first threatening to bomb Assad regime targets in retaliation, then agreeing to a compromise by which Syria would join the international treaty banning chemical weapons and give up a toxic arsenal it long kept secret.

The White House assessment on the attack cited more than 100 videos and "thousands of social media reports from at least 12 different locations in the Damascus area," along with other U.S intelligence information. The report said the opposition "does not have the capability to fabricate all of the videos, physical symptoms verified by medical personnel and NGOs, and other information associated with this chemical attack."

Jamal Flitani, a 24-year-old video activist, was among those who rushed to Damascus suburbs of Zamalka and Ein Tarma to record the aftermath of the attack.

"I honestly never thought our videos would be adopted by the U.S. administration and Western governments. ... We were simply doing our duty," he said.

Flitani is an engineering student, but when the uprising against Assad began in early 2011, he and his friends began shooting video of protests with their cellphones.

"Only after we saw similar videos and photos being used on satellite TVs and international agencies, only then did we start realizing the importance of our work," added Flitani, who now heads an opposition media office in Douma.

Almost every opposition-held neighborhood now has a media center complete with high-definition cameras, satellite connections and software for secure uploading, many of them funded by Gulf Arab supporters. Syrian video activists regularly receive training from NGOs, with funds from abroad.

The government and its supporters regularly post images and videos of rebel bombings inside regime-held territory. State media even airs rebel video claiming to show regime massacres, bringing in analysts to dissect the videos and suggest forgery.

Government supporters challenged the video of the Aug. 21 attack. Mother Agnes Mariam al-Salib, a Catholic nun who has lived in Syria for decades, produced a detailed study after poring over dozens of the videos, citing alleged discrepancies she said showed they were staged. Russian Foreign Minister Sergey Lavrov cited her report to back up claims rebels carried out the gassing.

Assad, who maintains a modern media machine that includes Facebook, Twitter and even Instagram accounts, ridiculed the U.S. reliance on such video.

"We're not like the American administration. We're not social media administration or government. We are the government that deals with reality," he said in an interview with CBS News last month.

The videos can be a double-edged sword. They provide a crucial glimpse into the war and sectarian massacres that may otherwise have remained secret, but they also are a potentially warped vision.

Several videos on social media sites turned out to be hoaxes, including one that purported to show soldiers burying a rebel alive, and another that alleged to show Assad supporters pouring fuel on prisoners, striking a match and burning them.

The news media's use of YouTube video as a primary source "is really unexplored territory," said Philip Seib, professor of journalism and diplomacy at the University of Southern California's Annenberg School for Communication and Journalism.

"One of the biggest issues involves verifying the content because sometimes you don't know where these YouTube videos are coming from," Seib said. "There is a higher responsibility for the news organizations that decide to disseminate YouTube videos to verify before they disseminate it."

Asked if this is the first time a conflict is being mainly covered by YouTube and social media, Seib said, "In terms of the heavy reliance on YouTube, it probably is."

But he added that there should be caution about "overstating the influence of YouTube. I think it is a big factor but not the determinative factor in shaping opinion about the war."

YouTube, an arm of Google, Inc., did not immediately reply to emails from The Associated Press seeking comment.

Like most news organizations, the AP runs user-generated content to supplement its own newsgathering. It only uses the material from channels that have proven reliable in the past, with video that has been authenticated and verified, and always works to ensure the content is aligned with its own reporting.

The AP also has a correspondent based in Damascus and uses a variety of other sources of information, including U.N. agencies, NGOs and relief and aid organizations, as well as journalists, doctors and others inside Syria. In addition, AP monitors Syria's state-run media for the government perspective and images, and AP teams have made numerous trips to Damascus when given permission from the Assad administration.

Elliot Higgins, author of the popular Brown Moses blog, which has tracked the civil war since March 2012, said he scrutinizes videos for potential problems, including comparing them to satellite imagery. From his home in England, he monitors 650 YouTube channels daily, looking for images of types of arms being used and the evolution of rebel groups.

Syria imposed a near blackout at the beginning of the uprising in 2011, expelling foreign journalists. The government continues to restrict the movements of local and foreign media, who have to go through a stifling process to get visas to Damascus. Journalists who sneak into opposition-held territory through Turkey face the threat of arrest, kidnapping, injury and death.

The proliferation of amateur videos is all the more striking in a country like Syria, which had been a closed society for so long. When Assad's father, Hafez, crushed a 1981-82 uprising in the city of Hama, killing thousands of civilians, he was able to keep it almost completely hidden from the world. To this day, the final death toll is not known.

According to the Committee to Protect Journalists, Syria is the most dangerous place in the world for journalists, with at least 28 killed and 21 abducted by various sides of the conflict in the last year alone.

To Dror, the absence of more traditional media has compelled citizens to try to fill the void.

"It has almost become a survival mechanism for them. If the world didn't know, it wouldn't act," he said.

___

Associated Press writers Bassem Mroue in Beirut, Aron Heller in Jerusalem and Raphael Satter in London contributed this report.

Associated PressSource: http://hosted2.ap.org/APDEFAULT/3d281c11a96b4ad082fe88aa0db04305/Article_2013-10-19-ML-Syria-YouTube-War/id-aeeac55ef9754202855b7003e99ab3fb
Related Topics: 9/11   djokovic   the league   Blackboard   Chelsea Manning  

Syria's civil war plays out on social media

FILE - This Monday, July 15, 2013, file image taken from leaked video obtained by Ugarit News, which has been authenticated based on its contents and other AP reporting, purports to show a fireball from an explosion at a weapons depot set off by rocket attacks that struck government-held districts in the central Syrian city of Homs. Never in history has a war been covered in the way that Syria’s civil war has: A constant stream of hundreds of thousands of videos instantaneously bringing all the viciousness, brutality and gore instantaneously and vividly to millions of viewers across the globe via YouTube and social media. The raw footage from Syria's battlefields comes in a perpetual stream _ a vicious civil war brought instantaneously to millions of viewers across the globe via YouTube and social media.(AP Photo/Ugarit News via AP video)







FILE - This Monday, July 15, 2013, file image taken from leaked video obtained by Ugarit News, which has been authenticated based on its contents and other AP reporting, purports to show a fireball from an explosion at a weapons depot set off by rocket attacks that struck government-held districts in the central Syrian city of Homs. Never in history has a war been covered in the way that Syria’s civil war has: A constant stream of hundreds of thousands of videos instantaneously bringing all the viciousness, brutality and gore instantaneously and vividly to millions of viewers across the globe via YouTube and social media. The raw footage from Syria's battlefields comes in a perpetual stream _ a vicious civil war brought instantaneously to millions of viewers across the globe via YouTube and social media.(AP Photo/Ugarit News via AP video)







FILE - This file image made from video and released by Shaam News Network and accessed Thursday, Aug. 23, 2012, which is consistent with other AP reporting, purports to show the funeral of children in Daraya, near Damascus, Syria. Never in history has a war been covered in the way that Syria’s civil war has: A constant stream of hundreds of thousands of videos instantaneously bringing all the viciousness, brutality and gore instantaneously and vividly to millions of viewers across the globe via YouTube and social media. The raw footage from Syria's battlefields comes in a perpetual stream _ a vicious civil war brought instantaneously to millions of viewers across the globe via YouTube and social media. (AP Photo/Shaam News Network SNN via AP video, File)







FILE - In this Sunday, May 19, 2013 file image from amateur video obtained by a group which calls itself Ugarit News, a rebel runs from an explosion, in Qusair, Syria. The video is consistent with independent AP reporting. Never in history has a war been covered in the way that Syria’s civil war has: A constant stream of hundreds of thousands of videos instantaneously bringing all the viciousness, brutality and gore instantaneously and vividly to millions of viewers across the globe via YouTube and social media. The raw footage from Syria's battlefields comes in a perpetual stream _ a vicious civil war brought instantaneously to millions of viewers across the globe via YouTube and social media.(AP Photo)







FILE - This Wednesday, May 29, 2013 file image made from video posted by Shaam News Network, which is consistent with other AP reporting, shows a Free Syrian Army fighter firing a rocket propelled grenade in Aleppo, Syria, targeting a Syrian regime stronghold. Never in history has a war been covered in the way that Syria’s civil war has: A constant stream of hundreds of thousands of videos instantaneously bringing all the viciousness, brutality and gore instantaneously and vividly to millions of viewers across the globe via YouTube and social media. The raw footage from Syria's battlefields comes in a perpetual stream _ a vicious civil war brought instantaneously to millions of viewers across the globe via YouTube and social media.(AP Photo/Shaam News Network via AP video)







(AP) — Amid all the bloodshed, confusion and deadlock of Syria's civil war, one fact is emerging after 2½ years — no conflict ever has been covered this way.

Amateur videographers — anyone with a smartphone, Internet access and an eagerness to get a message out to the world — have driven the world's outlook on the war through YouTube, Twitter and other social media.

The tens of thousands of videos have at times raised outrage over the crackdown by the regime of President Bashar Assad and also have sparked concern over alleged atrocities attributed to both sides.

The videos have also made more difficult the task of navigating between truth and propaganda — with all sides using them to promote their cause. Assad opponents post the majority of videos, and nearly every rebel-held area or brigade has a media office that produces and disseminates them. To a lesser degree, regime supporters produce some videos — but they also pick apart opposition videos, trying to show they are fake.

In the Vietnam War, the 1991 Gulf War and the second Gulf War in 2003, foreign media directly covered the conflicts, often with reporters embedded with or accompanying the American military.

Media organizations, including The Associated Press, have sent teams to Syria to cover events directly, often at great risk. But they are for temporary stints and are limited both by government regulations and by war zone dangers, ranging from random bombardment to kidnappings. At least 28 journalists were killed in Syria in 2012.

That has forced international media to cover the war to a large extent from the outside, and the flow of videos is one element taken into account in the reporting.

The videos have undeniably ensured that details of a bloody conflict that has killed more than 100,000 people and ravaged the country do not go unnoticed, providing a look at the horrors of war: villagers digging with through destroyed buildings their bare hands for survivors; massacre victims in pools of blood; children with grave wounds from heavy bombardment.

"In the past, if the media wasn't there to cover an event, it was like it never happened," said Yuval Dror, head of the digital communication program at Israel's College of Management Academic Studies.

The phenomenon of amateurs chronicling the war themselves "is changing the rules of war," he said. "There are no restrictions. It's cheap, it's easy and you don't need permission from anyone to do it."

Magda Abu-Fadil, veteran journalist and director of the Beirut-based Media Unlimited, said that while some professionals in the field have covered the war, it has mostly been "citizen journalists, activists, warriors and anybody with a mobile device, Internet connection or functioning telephone line."

"We're being bombarded with messages from every direction at breakneck speed, the likes of which we've never seen before," she said.

The world's response to the use of chemical weapons in Syria was driven in part by opposition activists documenting a suspected sarin attack outside Damascus on Aug. 21, with images of choking, convulsing victims, as well as the bodies of victims, including children. The Syrian government denied it was behind the attack, blaming it on extremists among the rebels.

The U.S. and its allies used those videos to build a case against Damascus, at first threatening to bomb Assad regime targets in retaliation, then agreeing to a compromise by which Syria would join the international treaty banning chemical weapons and give up a toxic arsenal it long kept secret.

The White House assessment on the attack cited more than 100 videos and "thousands of social media reports from at least 12 different locations in the Damascus area," along with other U.S intelligence information. The report said the opposition "does not have the capability to fabricate all of the videos, physical symptoms verified by medical personnel and NGOs, and other information associated with this chemical attack."

Jamal Flitani, a 24-year-old video activist, was among those who rushed to Damascus suburbs of Zamalka and Ein Tarma to record the aftermath of the attack.

"I honestly never thought our videos would be adopted by the U.S. administration and Western governments. ... We were simply doing our duty," he said.

Flitani is an engineering student, but when the uprising against Assad began in early 2011, he and his friends began shooting video of protests with their cellphones.

"Only after we saw similar videos and photos being used on satellite TVs and international agencies, only then did we start realizing the importance of our work," added Flitani, who now heads an opposition media office in Douma.

Almost every opposition-held neighborhood now has a media center complete with high-definition cameras, satellite connections and software for secure uploading, many of them funded by Gulf Arab supporters. Syrian video activists regularly receive training from NGOs, with funds from abroad.

The government and its supporters regularly post images and videos of rebel bombings inside regime-held territory. State media even airs rebel video claiming to show regime massacres, bringing in analysts to dissect the videos and suggest forgery.

Government supporters challenged the video of the Aug. 21 attack. Mother Agnes Mariam al-Salib, a Catholic nun who has lived in Syria for decades, produced a detailed study after poring over dozens of the videos, citing alleged discrepancies she said showed they were staged. Russian Foreign Minister Sergey Lavrov cited her report to back up claims rebels carried out the gassing.

Assad, who maintains a modern media machine that includes Facebook, Twitter and even Instagram accounts, ridiculed the U.S. reliance on such video.

"We're not like the American administration. We're not social media administration or government. We are the government that deals with reality," he said in an interview with CBS News last month.

The videos can be a double-edged sword. They provide a crucial glimpse into the war and sectarian massacres that may otherwise have remained secret, but they also are a potentially warped vision.

Several videos on social media sites turned out to be hoaxes, including one that purported to show soldiers burying a rebel alive, and another that alleged to show Assad supporters pouring fuel on prisoners, striking a match and burning them.

The news media's use of YouTube video as a primary source "is really unexplored territory," said Philip Seib, professor of journalism and diplomacy at the University of Southern California's Annenberg School for Communication and Journalism.

"One of the biggest issues involves verifying the content because sometimes you don't know where these YouTube videos are coming from," Seib said. "There is a higher responsibility for the news organizations that decide to disseminate YouTube videos to verify before they disseminate it."

Asked if this is the first time a conflict is being mainly covered by YouTube and social media, Seib said, "In terms of the heavy reliance on YouTube, it probably is."

But he added that there should be caution about "overstating the influence of YouTube. I think it is a big factor but not the determinative factor in shaping opinion about the war."

YouTube, an arm of Google, Inc., did not immediately reply to emails from The Associated Press seeking comment.

Like most news organizations, the AP runs user-generated content to supplement its own newsgathering. It only uses the material from channels that have proven reliable in the past, with video that has been authenticated and verified, and always works to ensure the content is aligned with its own reporting.

The AP also has a correspondent based in Damascus and uses a variety of other sources of information, including U.N. agencies, NGOs and relief and aid organizations, as well as journalists, doctors and others inside Syria. In addition, AP monitors Syria's state-run media for the government perspective and images, and AP teams have made numerous trips to Damascus when given permission from the Assad administration.

Elliot Higgins, author of the popular Brown Moses blog, which has tracked the civil war since March 2012, said he scrutinizes videos for potential problems, including comparing them to satellite imagery. From his home in England, he monitors 650 YouTube channels daily, looking for images of types of arms being used and the evolution of rebel groups.

Syria imposed a near blackout at the beginning of the uprising in 2011, expelling foreign journalists. The government continues to restrict the movements of local and foreign media, who have to go through a stifling process to get visas to Damascus. Journalists who sneak into opposition-held territory through Turkey face the threat of arrest, kidnapping, injury and death.

The proliferation of amateur videos is all the more striking in a country like Syria, which had been a closed society for so long. When Assad's father, Hafez, crushed a 1981-82 uprising in the city of Hama, killing thousands of civilians, he was able to keep it almost completely hidden from the world. To this day, the final death toll is not known.

According to the Committee to Protect Journalists, Syria is the most dangerous place in the world for journalists, with at least 28 killed and 21 abducted by various sides of the conflict in the last year alone.

To Dror, the absence of more traditional media has compelled citizens to try to fill the void.

"It has almost become a survival mechanism for them. If the world didn't know, it wouldn't act," he said.

___

Associated Press writers Bassem Mroue in Beirut, Aron Heller in Jerusalem and Raphael Satter in London contributed this report.

Associated PressSource: http://hosted2.ap.org/APDEFAULT/3d281c11a96b4ad082fe88aa0db04305/Article_2013-10-19-ML-Syria-YouTube-War/id-aeeac55ef9754202855b7003e99ab3fb
Related Topics: 9/11   djokovic   the league   Blackboard   Chelsea Manning  

Man Survives Botched Hanging; Iran Vows To Try Again





Iranians watch the hanging of a convicted man at the city of Qazvin, northwest of the capital Tehran, in May 2011.



Hamideh Shafieeha/AP


Iranians watch the hanging of a convicted man at the city of Qazvin, northwest of the capital Tehran, in May 2011.


Hamideh Shafieeha/AP


Amnesty International is urging Iranian authorities not to go ahead with the execution of convicted drug smuggler after the man survived a botched hanging last week.


The 37-year-old man, identified as "Alireza M", was found alive in a morgue after he was hanged at a jail in Iran's northeastern city of Bojnord.


A news release from Amnesty International says:




"According to official state media, a doctor declared him dead after the 12 minute-hanging, but when the prisoner's family went to collect his body the following day he was found to still be breathing.


He is currently in hospital, but a judge reportedly said he would be executed again 'once medical staff confirm his health condition is good enough'."




The BBC quotes an Iranian official as saying: "The verdict was the death sentence, and it will be carried out once the man gets well again."


Philip Luther, Director of Amnesty International's Middle East and North Africa Program, said: "The horrific prospect of this man facing a second hanging, after having gone through the whole ordeal already once, merely underlines the cruelty and inhumanity of the death penalty."


Source: http://www.npr.org/blogs/thetwo-way/2013/10/17/236179798/man-survives-botched-hanging-iran-vows-to-try-again?ft=1&f=1009
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